Partitions Numériques de No More pour Voix haute

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No More
Non classifié 1 477

Piano & claviers
Piano, Voix 4 352
Piano seul 1 080
Piano, Voix et Guitare 296
Piano Facile 173
Orgue 54

Piano grosses notes 32
Instruments en Do 32
1 Piano, 4 mains 22
Accompagnement Piano 11
2 Pianos, 4 mains 11
Piano Trio: piano, violon, violoncelle 10
Piano (partie séparée) 4
Piano Quatuor: piano, violon, alto, violoncelle 3
Accordéon 3
Orgue, Piano (duo) 1
Clavecin 1
Orgue, Trompette (duo) 1

+ 12 instrumentations

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Guitares
Guitare notes et tablatures 159
Guitare 51
Ligne De Mélodie, (Paroles) et Accords 36
Paroles et Accords 27
Ukulele 16

Basse electrique 16
Ensemble de guitares 15
Piano, Guitare (duo) 12
Guitare (partie séparée) 8
2 Guitares (duo) 8
Mandoline 6
Banjo 3
Dulcimer 2
Mandoline, Guitare (duo) 2
3 Guitares (trio) 2
4 Guitares (Quatuor) 1
Guitare, Violon, Violoncelle (trio) 1

+ 12 instrumentations

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Voix
Chorale SATB 236
Chorale 3 parties 74
Chorale TTBB 34
Chorale 2 parties 28
Chorale SSAA 19

Chorale 10
Voix seule 10
Chorale Unison 9
Voix duo, Piano 8
Voix moyenne, Piano 5
Voix Baryton, Piano 3
Voix Tenor, Piano 2
Voix haute 2

Voix duo 2
Voix Tenor 1
Chorale SATBB 1
Chorale SSAATTBB 1
Voix Soprano, Piano 1
Voix Moyenne 1
Voix, Guitare 1
Chorale SAATB A Cappella 1
Soli, choeur mixte et accompagnement 1
Chorale SSAATB 1
Chorale SSATB 1

+ 19 instrumentations

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Vents
Flûte traversière et Piano 138
Clarinette 135
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 94
Clarinette et Piano 79
2 Saxophones (duo) 78

Quatuor de Saxophones: 4 saxophones 70
Hautbois, Piano (duo) 67
2 Flûtes traversières (duo) 63
Saxophone Alto et Piano 59
Saxophone Soprano et Piano 59
Saxophone (partie séparée) 58
Quatuor de Clarinettes: 4 clarinettes 58
Saxophone Tenor et Piano 53
2 Clarinettes (duo) 49
Flûte traversière 41
Saxophone Baryton, Piano 39
Flûte, Hautbois, Clarinette, Basson 38
Quintette de Saxophone: 5 saxophones 36
Saxophone, Clarinette (duo) 34
Saxophone Alto 33
Cor anglais, Piano 31
Clarinette, Violon (duo) 27
Clarinette Basse, Piano 27
Hautbois (partie séparée) 26
2 Hautbois (duo) 25
Flûte, Clarinette (duo) 23
Quintette de Flûte : 5 flûtes 23
Ensemble de saxophones 22
3 Clarinettes (trio) 18
Hautbois, Clarinette (duo) 17
Ensemble de Flûtes 17
Clarinette, Trompette (duo) 17
3 Saxophones (trio) 16
Quatuor de Flûtes : 4 flûtes 14
Quintette de Clarinettes: 5 clarinettes 13
Clarinette et Alto 13
Flûte, Violon 13
Hautbois, Basson (duo) 13
Flûte, Saxophone (duo) 12
Ensemble de Clarinettes 11
Hautbois, Flûte 11
Quatuor de Flûtes à bec 10
Piccolo, Piano 10
Flûte, Alto (duo) 9
Flûte, Trompette (duo) 9
Flûte et Guitare 8
Trio de Flûtes: 3 flûtes 7
Hautbois, Clarinette, Basson (trio d'anches) 6
Flute (partie séparée) 5
5 Flûtes à bec 5
2 Flûte à bec (duo) 5
Flûte à bec Soprano 5
Flûte, Clarinette et Basson 5
Clarinette, Guitare (duo) 4
Clarinette (partie séparée) 4
Flûte, Violoncelle 4
Flûte, Hautbois, Clarinette (trio) 4
Instruments en Mib 3
Saxophone 3
Flûte irlandaise 3
Flûte à Bec 3
Saxophone Tenor 3
3 Hautbois 3
Harmonica 3
2 Clarinettes, Piano 2
Flûte et Trio à cordes 2
Saxophone Baryton 2
2 Flûtes traversières, Piano 2
Hautbois, Violoncelle 2
Flûte à bec Tenor 2
Flûte, Hautbois, Basson 2
Flûte à bec Alto, Piano 2
Clarinette, Violoncelle (duo) 2
Ensemble De Flûte à bec 2
Hautbois, Violin, Alto et Violoncelle (Quatuor) 2
Flûte, Violon et Violoncelle 2
Flûte, Violon, Piano 2
Clarinette, Basson (duo) 2
Saxophone et Guitare 1
Hautbois, Guitare (duo) 1
2 Cors Anglais Et Pianoforte 1
Saxophone et Orgue 1
Flûte à bec Alto 1
Saxophone Soprano 1
2 Clarinettes, Basson 1
Clarinette Basse 1
Flûte, Clarinette, Piano (trio) 1
Ensemble de Hautbois 1
Flûte, Tuba (duo) 1
Flûte à Bec, Piano 1
3 Flûtes à bec (trio) 1
Hautbois et alto (duo) 1
Cor Anglais 1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 1

+ 89 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 99
Trombone et Piano 56
Euphonium, Piano (duo) 50
Trompette 48
Quatuor de Cuivres : 2 trompettes, trombone, tuba 48

Cor et Piano 45
Trompette, Piano 39
Cor anglais, Piano 31
Trombone (partie séparée) 24
Trompette, Saxophone (duo) 23
Trompette (partie séparée) 20
Trombone 18
Trompette, Trombone (duo) 14
Cor 14
2 Trombones (duo) 13
Tuba 13
Quatuor de cuivres: 4 cors 11
Tuba et Piano 11
Ensemble de Trombones 10
Quatuor de cuivres: 4 trombones 10
2 Trompettes (duo) 9
Ensemble de Cors 8
Cor (partie séparée) 8
Quatuor de Cuivres: 2 trompettes, Cor, trombone 7
Tuba (partie séparée) 4
Ensemble de Trompettes 4
Tuba et Orgue 4
Cor, Orchestre 3
Trombone basse et Piano 3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 3
2 Cors (duo) 3
2 Tubas (duo) 2
Trio de Cuivres 2
Trompette, Cor (duo) 2
Quatuor de Cuivres 2
Euphonium, Tuba (duo) 2
4 Tubas 2
2 Cors Anglais Et Pianoforte 1
3 Trombones (trio) 1
Trombone, Tuba (duo) 1
Trompette, Violoncelle (duo) 1
Bass Clef Instruments 1
Trompette, Tuba (duo) 1
Trombone, Violon (duo) 1
Instruments en Sib 1
Quatuor de cuivres: 4 trompettes 1
Cor Anglais 1

+ 42 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 327
Violon et Piano 154
Alto, Piano 90
Violon 89
Violoncelle, Piano 89

Trio à Cordes: violon, alto, violoncelle 75
Harpe 55
Violon, Violoncelle (duo) 54
2 Violons (duo) 32
Violoncelle (partie séparée) 32
2 Violoncelles (duo) 26
Violon, Alto (duo) 23
Violoncelle 23
Alto seul 18
2 Altos (duo) 17
Trio à Cordes: 2 violons, violoncelle 14
Contrebasse, Piano (duo) 14
Quintette à cordes: 2 violons, alto, violoncelle, basse 11
Alto (partie séparée) 11
4 Violoncelles 10
Alto, Violoncelle (duo) 9
Contre Basse 8
Violon (partie séparée) 7
2 Harpes (duo) 7
Contrebasse (partie séparée) 6
Trio à Cordes: 3 violoncelles 5
Quatuor à cordes: 4 violons 5
Violoncelle, Contrebasse (duo) 4
Quatuor à cordes : 4 altos 3
Harpe, Flûte (duo) 3
Ensemble de Violoncelles 2
Trio à Cordes: 2 violons, alto 2
Violoncelle , Guitare (duo) 2
Trio à cordes 2
Ensemble de Violons 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 2
Harpe, Violon (duo) 2
Trio à cordes: 3 violins 2
Ensemble d'Altos 2
Harpe, Voix 2
Violon, Basson (duo) 1
Alto, Guitare (duo) 1
Violon, Guitare (duo) 1
Quintette à cordes : 2 violons, alto et 2 violoncelles 1
Violoncelle, Orchestre 1
Trio à cordes: 3 altos 1
4 Contrebasses 1

+ 42 instrumentations

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Percussions & orchestre
Orchestre 207
Orchestre d'harmonie 175
Ensemble Jazz 122
Orchestre à Cordes 117
Orchestre de chambre 58

Cloches 48
Ensemble de cuivres 44
Piano et Orchestre 24
Jazz combo 15
Batterie 14
Ensemble de Percussions 6
Batterie (partie séparée) 5
Percussion (partie séparée) 3
Orchestre, Violon 2
Xylophone, Piano 2
Quintette de Cuivres: autres combinaisons 1
Marimba et Orgue 1
Fanfare 1
Percussion 1
2 Marimbas 1

+ 15 instrumentations

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Autres
Formation musicale - Solfège 136

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No More

Voix haute

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2 partitions trouvées

Echo

Echo #Voix haute #Contemporain #William Kersten #Echo #William Kersten #SheetMusicPlus

High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William K...(+)

High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William Kersten (A0.916016). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti　 Come to me in the silence of the night;Come in the speaking silence of a dream;Come with soft rounded cheeks and eyes as brightAs sunlight on a stream;Come back in tears,Oh memory, hope, love of finished years.Oh dream how sweet, too sweet, too bitter sweet,Whose wakening should have been in Paradise,Where souls brimfull of love abide and meet;Where thirsting longing eyesWatch the slow doorThat opening, letting in, lets out no more.Yet come to me in dreams, that I may liveMy very life again though cold in death.Come back to me in dreams, that I may givePulse for pulse, breath for breath:Speak low, lean low,As long ago, my love, how long ago.

$3.99 ≈ 3.72€

The Unquiet Grave from American Death Ballads (Downloadable)

The Unquiet Grave from American Death Ballads (Downloadable) #Voix haute #David Conte #The Unquiet Grave from America #E. C. Schirmer Music Company - Digital #SheetMusicPlus

High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...(+)

High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.

$3.50 ≈ 3.27€

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